Demo
Video Audio
Demo (see Erik's notes at bottom)*
Vexter Series Box of Rock...coming end of September.
HAND PAINTED BOX OF ROCK AVAILABLE
NOW!
This pedal has two effects in one
box, a clean boost and a distortion circuit.
For a .pdf version of the Vexter Series Box of Rock instruction sheet, click
HERE.
Vexter
Series Box of Rock™ Z.Vex Effects July 2006 Overview: The
Box of Rock also contains an extremely high-headroom, unity-to-50X
gain booster with nominal input impedance and low hiss. It is very
similar to the SHO boost circuit, with refinements to make it sound
more like a standard amp input and less glassy. The boost channel
can be used alone or in conjunction with the "distortron engine"
channel. The boost channel follows the distortion channel so that
the distortion is able to hit your amp harder (at a higher volume)
when both switches are engaged, for boosting solos and what-not.
The
Controls: The Drive and Boost controls are based on my original Super Hard-On gain control, so they may crackle when turned. This is perfectly normal. Operation: The best way to complete this pedal is to run it through a Marshall amplifier on a warm clean setting (try strapping the channels, setting the volumes below 3, and setting all other controls to 6 as a start point), which has the proper voicing to reveal the "rock" in the Box of Rock. Battery
Change: Specifications: Warranty:
|
ZVEX EFFECTS
P.O. Box 16078
Minneapolis, MN 55416
952-285-9545
*Erik's
notes on the audio demo:
Every
guitar you hear went through the Box Of Rock. All the rhythm tracks are vintage
1971? Marshall Super Lead (modded by Andy Wolf) through an old greenback Marshall
4X12, the various amounts of gain, from light clipping to crunch are settings,
came from the pedal.
The
first solo was a Lectrolab R200B, it's a little class "A" Champ
kind of thing, with a 6 inch Jensen. Volume and tone were cranked. The second
solo was a "transitional" Silver Faced Fender Pro Reverb at about
3 1/2, bright switch on, treble? at 7, bass on 3. The last solo was a Brown
Fender Princeton. The amp was set at about 4 1/2, with the tone on about 5
1/2.
Everything
was a 57 up close. I used a multiband compressor to remove some "woof"
from the 4X12 during mixdown, a touch of compression over the final mix, and
that was it. The whole thing was a Don Grosh Strat with Lindy Fralin pickups,
strung up with GHS 12's.